Looking at his works, their subtle messages and the form, there is a temptation to label Kapil's illustrations as being interventionist art. And why not? Take, for example, one of his recent illustrations where he draws fish inside a water dispenser with a man dispensing water from it. In this 'regular', 'quirky' illustration, Kapil makes a larger point about water conservation and how we have terrifyingly little time to address the issue and actually make a difference.
The artist, however, is wary of such nomenclatures being assigned to his work. "I don't try to create art. I see art in things around me. I feel anything you create should be effortless. If art tries too hard to create an impression, it loses impact. I keep my work honest, simple and minimal. I am not trying to change the world; I am merely co-existing," says the alumnus of Mumbai's prestigious J.J. School of Art.
Much of the appeal of the drawings also emerge from the lack of too many colours. It's as much a challenge to draw in black and white as it is a pleasure because "black and white is a very strong palette". "It's graphic and I love the minimalism it has. In my works, I am trying to convey a story using minimum lines and forms. I also feel it's a great challenge as an artist to create maximum impact using minimum colours," he adds.
If the artist comes across as modest, the man underneath is also unassuming. Given the adulation his works have received, one is tempted to ask that very obvious, very run-of-the-mill question - 'what next?' "I want to continue doing what I am doing. I have never been a great planner, as my wife would testify," jokes Kapil, while adding that a couple of projects on environmental design are underway as are some installations. Clearly, the world is a canvas to his imagination.